The Violin Waltzes

The waltz, a pioneering and ever-reinventing dance form, has transcended time, geography, and social boundaries. Once scandalous for its intimate embrace, it has become a staple of both high society and folk traditions. Its simple three-beat structure offers endless creative possibilities, inspiring composers from Beethoven and Schubert to Chopin and Delibes.

In this collection, violinist Maya Magub breathes new life into classic waltzes through thoughtful arrangements for violin and piano. From Schubert’s lively Ländler to Chopin’s expressive Waltz in A Minor, each piece showcases the waltz’s emotional depth and versatility. Delibes’ Coppélia Waltz gains a fresh introduction, setting the stage for its romantic charm, while Gertrude’s Dream takes on an ethereal quality with a unique rhythmic twist.

With a legacy spanning centuries and genres, the waltz remains untamed, ever evolving—its journey far from over.

Classical & Romantic waltzes Arranged by Maya Magub for violin and piano

Ludwig van Beethoven

Gertrude’s Dream Waltz, Anhang 16,

No. 2 Waltz in E Flat Major, WoO 84

Waltz in D Major, WoO 85

Waltz in A Flat Major, ‘Sehnsuchwalzer’ WoO Anhang 14: No. 1

Frédéric Chopin

Waltz No. 3 in A Minor, Op. 34, No. 2, Lento

Léo Delibes

Coppélia. Act 1: No. 1 Valse. Moderato.

Franz Schubert

12 Deutsche Ländler D. 790, Op. post. 171: No. 7 12

Deutsche Ländler D. 145, Op. 18: No. 3 12 D

eutsche Ländler D. 145, Op. 18: No. 6 12

Deutsche Ländler D. 145, Op. 18: No. 16

Reviews'...delights the ear and enchants the imagination. But it's not just the tonal beauty and dexterity of Maya Magub's playing nor yet Matthew Schellhorn's immaculate pianism which alone carry the day here. Just as intriguing and always meticulously fashioned are Magub's bewitching arrangements, which afford novel perspectives on waltzes which are at once familiar, and yet, in their cleverly crafted new guises, will surprise and often enrapture.
While the Chopin and Delibes works would seem obvious candidates for remodelling, the waltzes attributed to Beethoven, originally written for piano, might appear to offer less potential for overhaul, but Maya Magub finds something unexplored in each of them. Equally appealing are her nimbly idiomatic Schubert transcriptions, again all familiar fare in their regular versions, but afforded unexpected depth and expressive impact when reimagined for violin and piano.
In sum, a superbly played and atmospherically recorded offering-highly recommended.
– Michael Jameson, BBC Music Magazine ★★★★★

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